Monday, September 14, 2009


Don Levering grew up in Kansas City, Kansas, and for many years has lived in Santa Fe. His poetry braids together myth and the natural world, but unevenly. His poems are questions more than answers. As guest poet for the online Academy of American Poets forum, he described writing verse: “To straddle and ride the two-headed horse of poetry: one wants rhythm, the other compression.” This suggests the tension in his writing—the ongoing rhythm is studded with medallions of lightning-quick stories. His collaged images seem familiar, but he arranges them into illogical sequences.

The poem “Spider” suggests the urban myth of a person, perhaps someone like yourself, waking up with a spider in your mouth. It also suggests the Southwestern Indigenous people’s Spider Woman, who spins cosmic stories into realities. Just as this image of the “divine spider” becomes substantial, the poet turns you, or himself, into a marionette puppet tangled in strings pulled by an unseen puppeteer. The narrator is a helpless victim of a divorce, and then a victim of a larger web. The word “marrying” becomes another way of saying “entrapping.” The last part of the poem is a paradox, an unexpected twist. The shadows and dust and spider’s spinning all continue despite personal tragedy. The narrator focuses on the spider’s legs, mouth, and ability to spin silk—and he himself becomes spider-like, the “joyful” singer of this poem.

SPIDER To make a joyful sound, just let the divine spider climb out of your mouth and go about its business tying knots around your life. So you’re a marionette, you still can feel yourself dancing no matter who’s pulling the strings. Even as your divorce decree is signed, the spider goes on marrying you to corners of household dust. Eight legs, a ravenous mouth, and the yen to spin silk in shadows.Who wouldn’t sing?

Education: Don Levering was born and raised in Kansas City, Kansas. He received a BA in English (Baker University, 1971); studied at the University of Kansas and Lewis and Clark College; and received an MFA in Creative Writing from Bowling Green University (1978).
Career: Levering’s full-length books of poetry are Outcroppings From Navajoland (Navajo Community College Press 1985), Horsetail (Woodley Memorial Press 2003), and Whose Body (Sunstone Press 2007). He has published poems in five chapbooks and many anthologies and journals. Levering was a recipient of a National Endowment for the Arts Fellowship Grant in poetry, a finalist for the John Ciardi Prize, and won first place in the Quest for Peace Writing Contest.
________________________________________________________________________________©2009 Denise Low AAPP 39 ©2008 Donald Levering “Spider” in Whose Body (Sunstone Press)

Sunday, September 6, 2009

William S. Burroughs Remembered Video

On Aug. 2 the Bourgeois Pig in Lawrence hosted a memorial reading for the 50th anniversary of Naked Lunch's publication. The 1950s legal battle over censorship changed the course of United States publication freedoms. Some of the people who knew Burroughs best were at the Aug. 2 reading, including James Grauerholz and Wayne Propst. Wayne played a loop of his home movies of William; some of his artworks were on display; Susie Ashline and Dalton Howard played; and some commemorative vodka & colas were drunk. Diane W. Pinegar shared her photos, and Wayne Propst and T.F. Pecore Weso consented to some interviews.

I recorded some of this event, and, with the help of Carol Burns of Ironwood Films, made a 22 min. version. There is a clip posted at: . Copies of the entire project are available through or at Quimby's in Chicago; Raven & Oread in Lawrence.

I also recommend Wayne Propst's footage at and Yony Leyser's trailer for "William S. Burroughs: A Man Within"at . In person, Burroughs was brilliant, in conversation working out ideas with axes going multiple directions. If one were a friend, he had exquisite, sensitive manners. All of our lives are different because of him.