Wednesday, April 27, 2016

Mammoth Publishes Author Denise Lajimodiere's Poetry about Boarding School Experiences

BITTER TEARS, 36 pp., poetry, staplebound, $12.00 ISBN 978-1-939301-72-7  

Online orders $2 off. PayPal Click Here or email mammothpubs@gmail.com for multiple copies or information. International orders, add postage amount.

Denise Lajimodiere spent years interviewing boarding school survivors for this  poetry project of moving verse,
 Bitter Tears. The poems describe the experiences of children who experienced the wrenching trauma of assimilationist boarding schools. Denise Lajimodiere, an enrolled citizen of the Turtle Mountain Band of Chippewa, is past President of the National Native American Boarding School Healing Coalition (N-NABS-HC) and present board member. Denise works as an Assistant Professor of Educational Leadership at North Dakota State University, Fargo. Her current research agenda includes the history of American Indian boarding schools and also Native female leadership and Horizontal Violence. Her first book of poems is Dragonfly Dance (Michigan State University Press). Denise is also a Birch Bark Biting artist and traditional Jingle Dress dancer.

Full-color cover, After Boarding School: Mourning, is copyrighted by Klamath-Modoc artist Kaila Farrell-Smith, used with permission. It is in the permanent collection of the Portland Art Museum, purchased with funds from the Native American Art Council.

Tuesday, April 19, 2016

Peter Balakian wins 2016 Pulitzer Prize for Poetry

Press release: "The title poem of Peter Balakian's Ozone Journal is a sequence of fifty-four short
sections, each a poem in itself, recounting the speaker's memory of excavating the bones of Armenian genocide victims in the Syrian desert with a crew of television journalists in 2009. These memories spark others—the dissolution of his marriage, his life as a young single parent in Manhattan in the nineties, visits and conversations with a cousin dying of AIDS—creating a montage that has the feel of history as lived experience. Bookending this sequence are shorter lyrics that span times and locations, from Nairobi to the Native American villages of New Mexico. In the dynamic, sensual language of these poems, we are reminded that the history of atrocity, trauma, and forgetting is both global and ancient; but we are reminded, too, of the beauty and richness of culture and the resilience of love.

from Ozone Journal

Bach’s cantata in B-flat minor in the cassette,
we lounged under the greenhouse-sky, the UVBs hacking
at the acids and oxides and then I could hear the difference

between an oboe and a bassoon
at the river’s edge under cover—
trees breathed in our respiration;

there was something on the other side of the river,
something both of us were itching toward—

radical bonds were broken, history became science.
We were never the same."


Peter Balakian (born June 13, 1951), American poet and nonfiction writer. Balakian was born in Teaneck, New Jersey, and grew up there and in Tenafly, NJ. He attended Tenafly public schools and graduated from Englewood School for Boys (now Dwight-Englewood School) before earning his B.A. from Bucknell University, an M.A. from New York University, and a Ph.D. from Brown University in American Civilization. He has taught at Colgate University since 1980 where he is currently Donald M. and Constance H. Rebar Professor of the Humanities in the department of English, and Director of Creative Writing. He was the first Director of Colgate’s Center For Ethics and World Societies.

He is the author of five books of poems, most recently [before Ozone Journal] June-tree: New and Selected Poems 1974-2000. The others are Father Fisheye (1979), Sad Days of Light (1983), Reply From Wilderness Island (1988), Dyer’s Thistle (1996), and several fine limited editions. His work has appeared widely in American magazines and journals such as The Nation, The New Republic, Antaeus, Partisan Review, Poetry, and The Kenyon Review; and in anthologies such as New Directions in Prose and Poetry, The Morrow Anthology of Younger American Poets, Poetry’s 75th Anniversary Issue (1987), The Wadsworth Anthology of Poetry, and the four-CD set Poetry On Record 1886-2006 (Shout Factory). Balakian is the author of the memoir Black Dog of Fate, winner of the PEN/Albrand Prize for memoir and a New York Times Notable Book, and The Burning Tigris: The Armenian Genocide and America’s Response, winner of the 2005 Raphael Lemkin Prize and a New York Times Notable Book and New York Times and national best seller. He is also the author of Theodore Roethke’s Far Fields (LSU, 1989). His essays on poetry, culture, art, and social thought have appeared in many publications including Art In America, American Poetry Review, The Chronicle of Higher Education, The American Quarterly, American Book Review, and Poetry. Balakian’s prizes and awards include a Guggenheim Fellowship; National Endowment for the Arts Fellowship; Emily Clark Balch Prize for poetry, Virginia Quarterly Review 2007; Movses Khorenatsi Medal from the Republic of Armenia 2007; Raphael Lemkin Prize, 2005 (best book in English on the subject of genocide and human rights); PEN/Martha Albrand Prize for Memoir, 1998; Anahid Literary Prize, Columbia University Armenian Center, 1990. 

Balakian has appeared widely on national television and radio: ABC World News Tonight, The Charlie Rose Show, Terry Gross’s “Fresh Air”; NPR’s “Weekend Edition,” CNN, C-SPAN, Celeste Quinn’s “Afternoon Magazine,” “Literati,” (BRAVO Canada, PBS, New York City); WAMC, New York, Leonard Lopate’s WNYC, and others. 

Thursday, March 24, 2016

Nick Twemlow, Kevin Young, Amy Fleury, Gary Jackson, Ed Skoog--Topeka Poets

Why do so many poets of note come from Topeka? Fellow poet Michael Harty brought to my attention the recent article about Robyn Schiff's new book of poetry and the New Yorker article about it. Then he mentioned her husband Nick Twemlow, filmmaker and poet, is from Topeka. I was not
NickTwemlow
familiar with Twemlow, who now teaches at Coe College in Iowa. He co-edits 
Canarium Books, a publisher of contemporary poetry in English and translation, and he is a senior editor for The Iowa Review. He is author of Palm Trees (2013), which won the Norma Farber first book award from the Poetry Society of America. Michael, and I discussed Topeka, a city of 123,000, and what water everyone must be drinking. Lawrence, just downriver 20 miles, does not have this kind of record for townies--the University of Kansas, of course, fosters many wonderful poets. Harty, though, has perspective on the Karl Menninger Foundation, where he once worked as a psychologist. When it was at its height, many well known doctors staffed the facility. Their offspring are some of the most gifted poets working today. Harriet Lerner (The Dance of Anger) and Steve Lerner are parents of Ben Lerner.  Other Menninger babies are Kevin YoungCyrus Console, Thomas Fox Averill (yes, he also writes poetry), and maybe others I am not aware of (please add comments). Many other poets in Topeka do not have direct Menninger connections. Perhaps I need to give credit to Topeka schools and the library, which has always been a bright spot. I'm not sure the state government contributes much, since most of the legislators are transients. 
For an article about the amazing number of poets to come out of Topeka,  read "Is Topeka the Most Poetic City in America," by Amy Brady. She has four theories: the contradictory nature of Topkea, political resistance, Menningers, and Esprit de Corps. Whatever the causes--perhaps a synergy of several lay lines--viva Topeka. More Topeka poets are:

Poet Laureate of Kansas Eric McHenry , Anne Boyer, C.A. Conrad,  Amy Fleury Leah Sewell


Thursday, March 17, 2016

ROSS GAY WINS NBCC AWARD IN POETRY

Poet Ross Gay described his third collection Catalog of Unabashed Gratitude as a sustained meditation on that which goes away—loved ones, the seasons, the earth as we know it. “This is a book that studies the wisdom of the garden and orchard,” he said, “those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.” Gay hopes his exploration of gardening and planting will intrigue readers who ordinarily might not reach for a poetry book. . . . and thank you to the man all night long / hosing a mist on his early-bloomed / peach tree so that the hard frost / not waste the crop, the ice / in his beard and the ghosts / lifting from him when the warming sun / told him sleep now; thank you . . . “These poems are shout outs to earth’s abundance: the fruits, blooms, meals, insects, waters, conversations, trees, embraces, and helping hands—the taken-for-granted wonders that make life worth living, even in the face of death,” said Evie Schockley in praise of Gay’s work. “Lyric and narrative, elegy and epithalamion, intoxicated and intoxicating—expansive, but breathlessly uttered, urgent. Ross Gay has much to say to you—yes, dear reader, you—and you definitely want to hear it.” Aimee Nezhukumatathil commented, “Gay offers up a muscled poetry of a thousand surprises, giving us a powerful collection that fireworks even the bleakest nights with ardency and grace. Few contemporary poets risk singing such a singular compassion for the wounded world with this kind of inimitable musicality, intelligence, and intoxicating joy.”
Gay is assistant professor of English at Indiana University and the author of two other poetry collections: Against Which and Bringing   the Shovel Down. His poems have appeared in American Poetry Review, Atlanta Review, Harvard Review, Gulf Coast, and Ploughshares, among other publications. Gay also teaches in the low-residency MFA program at New England College and is a Cave Canem Fellow.

Los Angeles Times article and interview with Ross Gay
National Book Critics Circle on Ross Gay

University of Pittsburgh Press. 112 pp. ISBN 978-0-8229-6331-8 Paper $15.95  

Ross Gay (b. 1974) is the author of two previous collections, Against Which and Bringing the Shovel Down. His poems have appeared in American Poetry Review, Orion, the Sun, and elsewhere.  He is an associate professor of poetry at Indiana University and teaches in Drew University’s low-residency MFA program in poetry. He also serves on the board of the Bloomington Community Orchard.

Tuesday, March 15, 2016

Mammoth author Maryfrances Wagner publishes new chapbook POUF

Maryfrances Wagner, Mammoth Publications author of the collection Dioramas, has published a new
chapbook of monologue poems in the voice of Aunt Mary, an Italian woman with one foot in America and one foot in Italy. Pouf is from Finishing Line Press. Wagner and William Trowbridge, Poet Laureate of Missouri, read together for the Thomas Zvi Wilson Reading series March 15, 6 pm, Johnson County Central Library on 87th St., Overland Park.

The character Aunt Mary is in a nursing home but does not have dementia other than a couple of hours a day she suffers from Sundowers. During those times, she thinks she's at home, in a hotel, a motel or anything on television is in real time and happening to her family. Her niece can become her mother, her son a doctor. The poems are humorous, but there is an underlying current of what it's like to be in a nursing home. This Italian American writer explores identities as they shift among geographies and inner landscapes.

See poems from Dioramas at the We Wanted To Be Writers website. 

Maryfrances Wagner has taught creative and academic writing for over twenty years, taught workshops at all levels, served as President of The Writers Place and is currently chair of TWP Programming Committee and board secretary for KC Creates. She is co-editor of I-70 Review and co-edited Whirlybird Anthology of Greater Kansas City Writers. She has published six collections to include Salvatore's Daughter, Red Silk (Thorpe Menn Book Award winner for literary excellence), Light Subtracts Itself (A KC Star Notable book of the year), and Dioramas. She has edited or co-edited three anthologies and also served as co-editor of New Letters Review of Books. 

Tuesday, March 8, 2016

Michael Harty, poet, reads April 17 from THE STATUE GAME

Michael Harty, one of my students in the KC area master workshop, will be featured with Walter Bargen, former Missouri Poet Laureate, at the Thomas Zvi Wilson reading 6 pm on April 19, Johnson County Central Resource Library, 9875 W 87th St, Overland Park, KS 66212.


Harty’s tight-knit poems are full of details, always honed to a purpose, as in this poem:

Later Vision

In the end we just get tired
of keeping things straight
when time insists on folding
back on itself like a tissue pattern
pinned today to some petrofiber
as yesterday to woven wool.

All day in our minds we hear
old songs new-written for today:
as it is in dreams, when we see ninety
and twenty at once, smooth faces
overlaid on those long ruined.
The cataracted eye sees
through the ceremonial wall
dividing was from what-could-have-been.


Michael Harty lives and works in Prairie Village, a suburb of Kansas City. He has had a long career as a psychologist and psychoanalyst. He started publishing poetry in 2005. They appear in New Litters, Kansas City Voices Amoskeag, San Pedro River Review, Coal City Review, Texas Poetry Calendar Midwest Quarterly,1-70 Review, The Lyric, and others. Two have been nominated for Pushcart prizes, and he won the 2015 2015 Anne Dittrick Sonnet Writing Contest. His chapbook The Statue Game is available online:  michaelharty.com

© 2014 Michael Harty. Reprinted with permission and 

Friday, March 4, 2016

Penniless Press in UK reviews JACKALOPE: Short Fiction by Denise Low

Fred Whitehead for Penniless Press reviews Denise Low's recent book of short fiction (and some
poems):

"Jackalope is a collection of short chapters, centered around one such creature and its experiences in a range of western locales, especially bars, saloons and beer joints, of which more in a moment.  I say “its” because it takes two forms: Jack (male) and Jaq (female).  Rumored to be hermaphrodite, our ‘lope prefers the word intersex, because it can switch genders.  Feeling uneasy and threatened in a rough bar, “Her testosterone surges as well as adrenaline, and she begins to shift into masculine mode . . . Jaq feels electrical energy travel from her head to her toes.”
There’s a lot of that electrical energy in these stories: sand storms, solar flares, lightning strikes, the buzz of alcohol, barroom brawls, video games: everyone and everything is wired someway.  Feelings themselves, I suppose, are a form of energy.  The book takes shape in a series of episodes, drawn together by the appearance and re-appearance of Jack/Jaq.  Much energy manifests itself in conversations—tall tales, and jokes (“A jackalope comes into a bar and orders . . . “). " 

See more at: 
http://www.pennilesspress.co.uk/NRB/jackalope.htm

Sunday, February 14, 2016

Thomas Zvi Wilson Reading Series Announces 2016 Readers

2016 Schedule Thomas Zvi Wilson Reading Series
6 pm at Johnson County Central Library  
9875 W 87th St, Overland Park, KS 66212

February 16, 2016 Arts in Prison—Readers (Host, Arlin Buyert)
http://www.kansascity.com/entertainment/books/article59753426.html

Thomas Zvi and Jeanie Wilson, 2001
March 15, 2016 Maryfrances Wagner, Bill Trowbridge 

April 19, 2016 Michael Harty, Walter Bargen 

May 3, 2016 Dennis Etzel, Roderick Townley 

May 17, 2016 Catherine Anderson, Catherine Browder 

June 21, 2016 Jo McDougall, Lindsey Martin Bowen 

July 19, 2016 Jeanie Wilson and other poets reading Thomas Zvi Wilson’s poetry 

August 16, 2016 Robert Stewart, Greg Field 

September 20, 2016 Annie Newcomer, Alan Proctor 

October 18, 2016 Susan Rieke, Elizabeth Uppman

Friday, February 12, 2016

Kim Stafford Posts Video of William's "Fifteen"

William Stafford wrote the poem "Fifteen" about an event in Hutchinson, Kansas. Or did it really happen? This 4 min. video by Kim Stafford explores the true reality of a poem. Thanks to Kim and the William Stafford Archives.

Tuesday, February 9, 2016

Denise Low Will Present Ks. Authors Club Workshop 20 Feb. 2016

The Line-Dance of Poetry: A Workshop. The poetic line is the measure of both lyric and narrative
poetry. Paul Verlaine said, "Poetry is to prose as dancing is to walking." TThis workshop explores the biological origin of lyric and epic lines as well as practical guidelines for creating effective breaks. Bring copies (enough to share) of three short poems or one long poem. 

Kansas Authors Club's workshop leader is former Kansas Poet Laureate Denise Low, Sat., Feb. 20:
(Lackman Library, 15345 W 87th Pkwy, Lenexa, 9:30 a.m. to noon. This presentation is limited to 15 people.There will be a small fee for this workshop. Denise Low, will have copies of her book Jackalope available at a discount.

Denise Low, grew up in the Flint Hills of Kansas, descended from British Isles, German, and Native (Delaware and Cherokee) peoples. She was the 2007-2009 Kansas Poet Laureate, with over twenty published books of poetry, personal essays, and scholarship, including Natural Theologies (The Backwaters Press, 2011) and Ghost Stories: Poems (Woodley Press, 2010, a Kansas Notable Book Award winner). For over 25 years she taught at Haskell Indian Nations University. She has been a visiting professor at the University of Kansas and University of Richmond. She has awards from the NEH, Sequoyah National Research Center, Lannan Foundation, The Newberry Library, Academy of American Poets, and Kansas Arts Commission. Denise's numerous books can be found at The Raven Bookstore in Lawrence and online via Small Press Distribution and Amazon. 
For additional information, contact district president Ronda Miller: coachingforliferonda@yahoo.com 
Denise Low website: http://deniselow.net/