Showing posts with label Ad Astra Poetry. Show all posts
Showing posts with label Ad Astra Poetry. Show all posts

Monday, December 7, 2009

AD ASTRA POETRY PROJECT # 42: STEPHEN MEATS (1944 - )


Stephen Meats was born in LeRoy, Kansas, and raised in Concordia. Foremost of his contributions to Kansas literary culture is his service as poetry editor of Midwest Quarterly. In that role he has curated special issues of regional poetry, including one devoted to the first Kansas poet laureate Jonathan Holden. He is able to fulfill this poet’s poet role because of his own fine verse. His book Looking for the Pale Eagle is a rare poetry best seller—the first printing sold out quickly.

This poem “My Advice” gives directions for enjoying the countryside of Kansas. Meats describes a typical prairie road—not spectacular, but small joys unfold He suggests that his readers stop and collect “chat,” or roadbed gravel, to reposition at home. The reflective moment of collection is when sky, birds, and landscape are noticed. The rock is for remembering that moment. Like stone soup, after the recipe is complete, the stone can be discarded. As a catalyst, its purpose is fulfilled. Poems are like such stones.

My Advice

You say you want to find yourself. You’ll need
a piece of gravel. Drive any rocked road
in Kansas and you’ll hear pieces by the dozen

knocking in your wheel wells. For once, stop
and get out of the car. Take a minute to look
at the sky—flat bottomed clouds shadowing

the pastures. You’ll hear the meadowlark
on the fence post before you see him fly.
Pick up your piece of gravel. If you’re far

off the main route, a handful of chat, or even
road sand will do. Cup it in your palm while your
tires hum away the miles on the asphalt highway.

Warm it in your pocket as you drink your coffee
at the café counter in the next town, and stay
a while to look at the faces and listen to the talk.

Then take it home with you and right away
put it in your garden or your flower box or drop
it in the driveway. It doesn’t really matter
You’ve already got your answer.

Education: Stephen Meats attended Kansas State University for three years before transferring to the University of South Carolina, where he earned his bachelor’s (1966), master’s (1968), and doctoral degrees in English (1972).
Career: Meats is University Professor and English Department Chair Pittsburg State University. Since 1985, he has been poetry editor of The Midwest Quarterly. Meats has published Looking for the Pale Eagle (Woodley Press, 1993). His poetry, articles, and fiction appear in Kansas Quarterly, The Little Balkans Review, Albatross, The Quarterly, The Laurel Review, Blue Unicorn, Tampa Review, Arete, Hurakan, Flint Hills Review, Prairie Poetry, Dos Passos Review, and others.
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©2009 Denise Low AAPP 42 ©2008 “My Advice,” Stephen Meats, in Dos Passos Review



Monday, September 3, 2007

AD ASTRA POETRY PROJECT #2


STEVEN A. HIND (1943- )

For over twenty-five years, Steven Hind has published poetry about life in the Great Plains and Flint Hills of Kansas, including the small towns. Robert Frost is an influence, as well as fellow Kansas poet William Stafford. Hind’s language appears simple, and his people are salt of the earth. Tragedy, extreme weather, and economic disasters complicate the rural experience. Nonetheless, Hind also celebrates the vivid natural life of the region, where animals may be as distinctive as next door neighbors. “Blue Heron” is an example of this.

Many Kansans are avid bird watchers, whether formal members of the Audubon Society or just roadside observers. Hundreds of bird species migrate through the mid-continent skies, and many remain as year-round residents. Great blue herons are colorful water birds found along river banks and marshy areas. The poet accurately acknowledges the bird’s habitat, which is “Behind the pond.” Hind shows how poetry involves research and observation.

This poem could be a simple snapshot of the bird—until I look more closely at Hind’s language and see how he enlivens the description with comparisons. Nearly every line challenges me to see two images at once: willows sound like a silk scarf unfurling; the heron lowers and raises its head like a jackknife closing and opening; guitar frets appear on the water; and the great bird’s wings are like oars of a rowboat. The ending line, “the bright gravel of stars,” is an inversion, where earth and sky reverse positions, echoing the poem’s theme. This dizzying image shows the possibilities for language to surprise and delight.

GREAT BLUE HERON


Behind the pond under a whispering

scarf of willows, heron does his lone

knifewalk beside the wind-fretted waters.

His deft movements make a death

defying progress: a life of mud transmuted

into sky life as he rows away on a river

of air and its melody of coyote song

through cedars beyond cedars, their

silhouettes swallowed by darkness

beneath the bright gravel of stars.


Education
: Steven Hind was born and raised near Madison, in the Flint Hills. He earned a BA from Emporia State University and an MA (1970) from the University of Kansas.

Career: Hind taught at Hutchinson Community College and Topeka High School for 36 years. His books are Familiar Ground (1980); That Trick of Silence (1990); In A Place With No Map, (1997); and Loose Change of Wonder (2006, Ks. Notable Book Award). His CD Waking in the Flint Hills is available by writing to 503 Monterey Way, Hutchinson, KS 67502.
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© 2007 Denise Low AAPP2 © 2006 Steven Hind “Great Blue Heron” © 2005 Patsy Terrell, photo of Steven Hind

Sunday, August 19, 2007

AD ASTRA POETRY PROJECT

Dear Friend of Ad Astra Poetry Project,

Please enjoy the following electronic “broadside” or poetry flyer. You may use it for nonprofit educational purposes; you may not reproduce it for commercial gain. The poem was first printed in Road Apple Review, and I reprinted it in the collection Kansas Poets of William Stafford, with his permission.

Eventually, I will collect these biweekly broadsides into a book, to be published by the Center for Kansas Studies at Washburn University, in cooperation with Thomas Fox Averill. Until then, you may copy it for educational purposes from this site or download it in pdf form on Greg German’s Kansas Poets site: http://www.kansaspoets.com/

This Ad Astra (To the Stars) Poetry Project is part of my commitment as poet laureate for the state of Kansas 2007-2009. I hope to share my enthusiasm for historic and contemporary poets who resided in Kansas for a substantial part of their lives. I appreciate Greg German's support! Many thanks to Steven Hind for sharing the photograph. Finally, my thanks to Jonathan Holden, first poet laureate of Kansas, who set the standard.

Best, Denise Low

AD ASTRA POETRY PROJECT: Poet #1


WILLIAM EDGAR STAFFORD (1914-1993)

William Stafford is my first choice for the exemplary Kansas poet. His work exhibits the language, values, and experience of the Great Plains. He describes the sky’s drama: its Milky Way swirls, wind-churned clouds, and limitless space. His poems also pay attention to the expansive earth below sky: its animals, plants, peoples, and histories. When I met Stafford we shared stories about childhood rambles along edges of town—creeks and pastures—and how these influenced us as adults. His words take us on outdoors walks.

However, Stafford does more than describe landscape; rather, he shows it is a stage for human inquiry into the nature of existence. His poems are riddles. Each asks questions about not just the human condition, but about the condition of the cosmos itself. He was a person of great faith, yet his poems are not preachy. He leads us to a hillside to ponder with him, and his inquiry becomes a tool of belief.

This poem begins at the edge of a town, where civilization becomes subject to time’s passing. Look for shifts in Stafford’s poems or pivotal words, such as “but” and “sage” in this poem. At the end, the poem shifts to the point of view of the sage, which appears to “flash” or wave to the onlooker. And notice the balance of the last line, both the “Yes” and the suggestion for “no.”

FOR A DISTANT FRIEND


Where Western towns end nobody cares,

finished things thrown around,

prairie grass into old cars, a lost race

reported by tumbleweed.


And hints for us all stand there, small

or shadowed. You can watch

the land by the hour, what hawks overlook,

little things, grain of sand.


But when the right hour steps over the hills

all of the sage flashes at once,

a gesture for miles to reach every friend:

Yes. Though there’s wind in the world.

Education: William Stafford, born in Hutchinson, graduated from Liberal High School, and received a BA (1933) and MA (1947) from the University of Kansas. He received a PhD from the University of Iowa (1954).

Career: Stafford taught at Lewis and Clark College 1948 to 1980. Until his death he traveled widely speaking about poetry and writing. He won a National Book Award (1963) for Traveling Through the Dark. In 1970 Stafford was Consultant in Poetry to the Library of Congress, now the U.S. Poet Laureate position. He was poet laureate of Oregon.
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© 2007 Denise Low, AAPP1© 1990 William Stafford Family “For a Distant Friend,” in Kansas Poems of Wm. Stafford.© 2007, photograph, by Steven Hind