NBCC Poetry Prize winner Cynthia Cruz writes poetry and essays. Her poem “The Undersong” (2016) states an aspect of her poetics as it begins,
“But whose voice will enter/ and what will I do/ with that brutal but beautiful music.” It continues,
In the city, from my hotel window
I can see the elements and trace.
Structures constructed to protect the mind
and the gorgeous culture of the body.
In the park nearby, at dusk.
With plastic transistor radio
and magnetic apparatus,
so small they fit into the palm
of my hand.
The
first-person narrator grieves—for what is not clear, beyond a generalized ennui
within urban disconnections. The “hotel window” viewpoint is one of a homeless
person, even if the perch in a hotel is temporary. The music, like poetry
itself, strives to “protect the mind” as it appeals to the corporeal senses.
All of the moment is a self-contained vignette, fitting “into the palm/ of my
hand.” Yet it also opens out into a shared condition, an “Undersong” that most
may not hear as its sadness plays below conscious awareness. This concise lyric
has its own music as it creates unexpected pangs in the listener/reader--myself.
Cruz
grew up in Northern California, a major influence, she explains in an interview with Paul Rowe: “I grew up in a small town in rural Northern
California—there were hawks, rabbits, snakes. We had animals and acres and I
spent most of my girlhood outdoors chasing these creatures. In the long
driveway were cars and the carcasses of cars, engines and pieces. So, there’s
that—that landscape shaped me, made me who I am.” In her interview with she
continues to explain her early experiences as invisible to those middle class readers without a
similar background (of poverty, working class culture) but omnipresent, as “an interior or a flight to an
externalized interior: someplace away from the slick and sleek exteriors of the
Neoliberal city and suburbs and all that these places require” (interview with Paul Rowe, Minor
Literature[s]).
Denise Low, 2023
Cynthia
Cruz won the 2023 National Book Critics Circle Award for Poetry with Hotel
Oblivion (Four Way Books, 2022). She is the author of four other collections
of poetry, including three with Four Way Books: How the End Begins (2016),
Wunderkammer (2014), The
Glimmering Room; and Ruin (Alice
James, 2006). She has published poems in numerous literary journals and
magazines, including the New Yorker, Kenyon
Review, the Paris Review, BOMB, and the Boston
Review. She is the editor of an anthology of Latina poetry, Other
Musics: New Latina Poetry (University of Oklahoma Press, 2019). She
also publishes essays: Disquieting: Essays on Silence, critical essays
exploring silence as a form of resistance (Book*hug, 2019) and The
Melancholia of Class (Repeater Books, 2021). Cruz has received fellowships
from Yaddo and the MacDowell Colony as well as a Hodder Fellowship from
Princeton University. Cruz grew up in Northern California, where she earned her
BA at Mills College. She has an MFA from Sarah Lawrence College in writing
and an MFA in Art Criticism & Writing from the School of Visual Arts. Cruz
is currently pursuing a PhD in German Studies at Rutgers University. She
teaches at Sarah Lawrence College.
Four Way Books: Four Way Books » Cynthia Cruz Author Page
Poem Hunter: Cynthia Cruz Poems - Poems by Cynthia Cruz (poemhunter.com)
Poetry Foundation bio, poems, prose: Cynthia Cruz |
Poetry Foundation
Video
reading of “Silence”: Cynthia
Cruz reads “Silencer” - Ours Poetica | Poetry Foundation
Academy
of American Poets: About Cynthia
Cruz | Academy of American Poets