Showing posts with label Philip Miller. Show all posts
Showing posts with label Philip Miller. Show all posts

Friday, April 17, 2009

AAPP Contest 4, Kansas Ghost: Winners

Congratulations to the Ad Astra Poetry Contest #4 winners for the theme Kansas Ghost Stories. Winners are: Dennis Kelly (Seattle, former resident of Emporia); Philip Miller (Mt. Union, Penn., former resident of KC, Ks.); Amy Cummins (Hays); H.C. Palmer (Elmdale).

After A Burn: In the Cottonwoods at Camp Wood
by
H.C. Palmer

Look closely. The texture
of burnt grass traces
wheel ruts, uncovers

rings of limestone,
old campfires—
Osage, Neosho and drovers.

Dig beside the gnarly roots.
Chards of clay vessels,
pipestone and snake-oil bottles,

a Colt .45 shell casing.
And there, like a man
sleeping on his side,

the rotted limb that suspended
the rustlers—their spirits exhaling,
rattling the lustrous leaves.
#
Ghost story
by
Dennis Kelly
“Michael R. Wise, former chairman of Denver's failed Silverado
Banking, jumped from the ninth floor of a short-term parking garage at the Tampa
International Airport last week.” The Wall Street Journal

Fell, jumped—maybe pushed?
Smooth guyz—like Wise don’t
Fall or jump—they get pushed

You mess too many—people over
Sooner or later—karma catches up
It comes back—like a boomerang

Just like his—second wife
Supposedly—"suicide by pillow"
C’mon please—give me a break

I met Wise—at KSTC
In the student union—smooth
Goodlooking—with Paula

Mike’s hands—cold as ice
His blue eyes—slanted shut
sizing me up—for a scam.
#

Kansas Ghost
by
Philip Miller, author of Branches Snapping (Helicon 9 Press)

The haunted landscape I haunt
once haunted me,
stretching as it does toward eternity,
my windows opening to only sky,
so I learned to tell the seasons
by their tones of purple, gray, and blue.
Today it’s the pale robin’s egg of April
and a day moon the color of ancient bones
that lie buried in the clay-rich earth I lie in as well
and listen to the wind,
its highest shrieks to lowest groans,
all of its sad little songs,
in voices that I once thought belonged to ghosts
this wind that won’t give up the ghost, itself—
one thing that will last forever.
#
Blue Light Lady
by
Amy Cummins

I heard today the statue of Elizabeth Polly
In her Park on 26th Street and Indian Trail
Had been decapitated and was under repair.
This native limestone sculpture has
An earnest face gazing toward the hill southwest
Of Fort Hays and one neatly cobbled shoe
Peeking from beneath a billowing Victorian gown.
She stood looking away from the park entrance,
Gazing east; now the pedestal has no lady.

The most popular costume for girls in Ellis County
Is the woman in a blue dress with a white bonnet.
Her ghostly spirit emits a blue light.
The tale is told on every Halloween night
To new generations, the story
Changing a little each time,
Becoming ever truer each time it changes.

The blue light lady said to haunt us and help us
In Hays could have been an army nurse,
An enlisted man’s wife, a dead divorcée,
A woman who lived here only ten days before cholera
Took her, as she died in 1867 and became immortal.

A pal who grew up pedaling by the park confided to me:
He feared he didn’t believe in her any more;
She was created by vernacular memory.
When you ask at the fort, you hear a fair account.
But no one wants to think our legend is untrue.

We need Elizabeth Polly, our secular saint,
Walking along the ridgetop of Sentinel Hill,
Where, it is said, she wanted to be buried.
But the ground was too rocky, so
She had to be buried at the bottom of the hill
Where the soil could be opened for her grave.

It was marked by wooden crosses
Washed away in a great flood. We no longer
Have floods, and Big Creek never rises.
Yet Elizabeth Polly is more true than truth
And more historical than history.
She is us; she is how we remember our past.
#

Monday, August 18, 2008

AD ASTRA POETRY PROJECT #20


PHILIP MILLER (1943 - )

This poet has been a mainstay of the Kansas City poetry scene, where he co-founded the Riverfront Reading Series. He served on the editorial boards of Woodley, Potpourri, and BookMark Presses and on the boards of The Kansas City Artists Coalition and The Kansas City Writers Place. He co-edited (with Carl Bettis) the magazine The Same (2000-2007), for which he is the current editor. He is also contributing editor to the online magazine, Big City Lit. After retiring, he moved to Mount Union, Pennsylvania. His poetry is chock-full of surprising language and philosophical twists. “Like a Tree” is a poem I have tried to write many times, without this poet’s success. Miller compares his body at length to a tree with the idea that human organic forms are like other natural forms—hair is like “leaves”; digits are like “twigs”; and lungs have bronchial alveoli like “sponges.” This breaks down the separation of body and mind, expounded in the philosophy of René Descartes. Miller posits reality as a unified field, where thought is a natural process, like gravity. Humans and trees both are mortal and eventually will fall.
The poem shifts into high gear with the description of the head, which includes “inner petals” where he connects “what our brains conceive” to the physical voice. The poet’s words are organic constructions, “unwrapped and uttered by way of bone and blood.”

LIKE A TREE

The body owns us, lets us, inside it, live
and breathe through branchy sponges it provides:
the head covered with hairs like leaves,
the trunk’s limbs sprouted
with fingers and toes like twigs,
and within, the heartwood’s dark thuds
are the ax man’s steps, which will bring it down,
this body with a head like a bloom,
and with inner petals, too, delicately tissued
purses and pods of sap and seed,
and the Adam’s apple, the vocal chords and tongue
give us a voice which is the body’s voice,
full-throated, words of the flesh,
unwrapped and uttered by way of bone and blood.
Only by the always-bodily thing are we
brought to what our brains conceive
before the body falls like a tree.

Education: Philip Miller attended public schools in Kansas City, Kansas. He received a B.A. (English and Psychology 1965) and M.A. (English 1966) Emporia State University.
Career: This poet taught English at Kansas City Kansas Community College (1986-2002). His books are: Cats in the House, Woodley Memorial Press, 1987; Hard Freeze, BookMark Press, 1994; From the Temperate Zone (with Keith Denniston) Potpourri Press, 1995; Branches Snapping, Helicon Nine Editions, 2003; Why We Love Our Cats and Dogs (with Patricia Lawson) Unholy Day Press, 2004; The Casablanca Fan, Unholy Day Press (forthcoming). He won the Ledge Press chapbook award (1995).
____________________________________________________________ © 2008 Denise Low, AAPP 20 © 2003 Philip Miller, “Like a Tree,” in Branches Snapping. © 2001 Denise Low photo.