DENNIS KELLY, Seattle/Kansas Poet-Collagist , "Self Portrait"

Dred Scott

Dennis Kelly, poet and collagist, was raised in Emporia, Kansas, and resides in Seattle. He is author of books from Gay Sunshine Press and others. As this year winds down, here is a Baby Boomer's review of history, from a gay perspective.

SELF PORTRAIT

It’s always sobering—
For an aging baby boomer
Like me to sometimes do
A little Self Portraiture

Outta the WW II womb—
And Great Depression
Viola! A bunch of us
Pampered spoiled brats

Drive In junkies—
We had cars back then
Postwar rug-rats and the
Whole world was ours
______________
Hot Elvis the Pelvis—
Ducktail Rock & Roll!!!
Wild and Affluent youth
We had things to do!

Too good to be true—
They laid the nefarious
Viet Nam War on us to
Control our Generation

It seems like there’s—
Always intergenerational
Warfare going on between
Kids and parents
_________________
There were simply—
Too many of us wild
Turbulent youth so let’s
Have another War, dears!

And so they gave us—
Nixon and “Night of
The Living Dead” to put
Down our 60’s Libido

Body-bags and war—
Such dirty things but
What the fucking hell
War economies work!
_____________
“Love not War!” —
Proclaimed the Hippies
Counterculture protest &
Generational War began

It’s Still going on—
So many fucking wars later
Each generation faced with
The same denouement

NOW it’s gay lib’s turn—
We’re all just Fag slackers
“Bestiality” Bad Boyz the
Great Law scholars call us
________________
Gay marriage approved—
Slowly state by state despite
DOMA declaring its sanctity
Ever So Heteronormative!

Salome does her lovely dance—
Oscar Wilde gets another chance
To dance with the Supreme Court’s
Esteemed Justice Antonin Scalia

“Heads” or Tails it’s bound to be—
The Dance of the Seven Veils
If only “Salome” Rita Hayworth and
Charles Laughton could be there
_________________
And so here I am, my dears—
Nothing but a minor little pawn
A mere Reductio ad absurdum
“Fallen Angel” it seems for now

Not that future generations—
Will even remember the trials
And tribulations of what’s coming
Down in this so-so legal soiree
_____________________
My whole life now seems somewhat—
Caught up between two important
Legal cases: “The Dred Scott Decision”
With Blacks & me simply slave chattel

And “Brown vs. Board of Education 1954”—
Concerned with equal educational rights
And opportunities of African-Americans
And now GLBT citizens as well, my dears

Link to Dennis Kelly webpage:

http://midwesternnoir.blogspot.com/

Midwest Book Review comments on CONJURO by XANATH CARAZA

 "Small Press Boookwatch," published by The Midwest Book Review, has a review of Conjuro, with the comment "Conjuro is an extraordinary addition to Native American poetry collections, highly recommende." See more:
http://www.midwestbookreview.com/sbw/dec_12.htm#rc

RICHARD ROBBINS WILL READ IN K.C., DEC. 7, WITH DENISE LOW & PIPER ABERNATHY. SEE A SAMPLE POEM BY ROBBINS: "RIGHT."

The Writers Place Reading featuring Richard Robbins, Piper Abnernathy, and Denise Low
 3607 Pennsylvania Avenue Kansas City, MO 64111 (816) 753-1090
Friday, Dec. 7,  7 PM – 9 PM http://writersplaceorg.squarespace.com/calendar/  $3 members; $5 nonmembers; no one turned away for lack of funds

 Richard Robbins grew up in Southern California and Montana. He studied with Richard Hugo and Madeline DeFrees at the University of Montana, where he earned his MFA. He has published five books of poems, most recently Radioactive City and Other Americas. He has received awards from The Loft, the Minnesota State Arts Board, the National Endowment for the Arts, and the Poetry Society of America. He directs the creative writing program and Good Thunder Reading Series at Minnesota State University, Mankato. He is vice president of the Associated Writers and Writing Programs national board.

Piper Abernathy is a poet and educator. She has a M.Ed. in Literacy from Rockhurst University and a MFA in Poetry from UMKC, and she taught high school locally for nine years. Piper is currently a regional coordinator for Poetry Out Loud and an adjunct instructor for Penn Valley. Her poetry can be found in Pleiades, Mid-American Review, Memorious, and the I-70 Review.

Denise (Dotson) Low is former Kansas Poet Laureate, with 20 published books of poetry, personal essays, and scholarship. She is a member of the national board of the Associated Writers & Writing Programs and was immediate past president. For 25 years she taught at Haskell Indian Nations University, and she has been visiting professor at the University of Kansas and University of Richmond. Currently she teaches courses for Baker University. She has awards from the NEH, the Lannan Foundation, The Newberry Library, the Academy of American Poets, and the Kansas Arts Commission. Her academic books include prose about Native and settler literatures of the middle plains region. She is on the national board of AWP as past president.

++++++++++++++++++++++

This is the first reading by Minnesota poet Richard Robbins in this area. Here’s a poem by him and more information. He is an original voice, with exquisite craft.

 RIGHT
by Richard Robbins

The other one has tried to reach it
across the ocean of the shoulder,
tried to stop it from hitting, from sending
a man to death with a scribbled word.

The body wishes it would listen
more to the body, refuse for once
this urge to travel an alley without
eye, tongue, or the two versatile feet.

The heart, tomorrow, will have her way
with it. Like the bones of the rib cage,
so birds of the air. The river will turn
in its path, the blue ground angle up,

every millionth part of God conspire
to bring the right to answer for itself,
for all the hands that closed or waved away
the weak untouchable things, come now

to throne, to town, his own driveway on
their knees to be healed.

 

Richard Robbins is director of the  Good Thunder Reading Series and Univ. of Minn.-Mankato  M.F.A. Program in Creative Writing. His publications include: 

Other Americas, Blueroad Press, 2010
Radioactive City, Bellday Books, 2009, Bellday Poetry Prize.
The Untested Hand, Backwaters P, 2008
Famous Persons We Have Known, Eastern Washington UP, 2000
The Invisible Wedding, U of Missouri P, 1984
Toward New Weather [chapbook], Frontier Award Committee, 1978
Where We Are: The Montana Poets Anthology [co-editor], SmokeRoot P, 1978

 

LINKS

http://en.wikipedia.org/wiki/Richard_Robbins_(poet)

 http://www.pw.org/content/richard_robbins_1

http://www.english2.mnsu.edu/robbins/

 

MAMMOTH PUBLICATIONS RELEASES A RENGA ANTHOLOGY

To the Stars Through Difficulties: A Kansas Renga in 150 Voices, edited by Caryn Mirriam-Goldberg. A "renga" is a collaborative poem based on the Japanese haiku form, often about nature. In To the Stars Through Difficulties: A Kansas Renga in 150 Voices, poets in the chain take readers across the mythological as well as physical landscape of Kansas. Each poet begins with the seed of an idea from the poem before, writes, and leads the way for the next poet, all the way to the end. The group includes all poets laureate of the state, professional writers, and newcomers. Poets blend traditional and experimental approaches. The result is a unique chorale of beauty and surprise. The book follows the model of a similar United State poets laureate collection, Crossing State Lines, but with focus on one shared region. The writers celebrate startling beauty of the grasslands and its brilliant skies, including dimensions of reverie as well as plein air descriptions. The poets follow images and questions threading through the unfolding form of the renga, creating together one winding poem, a river of words on what place can and does mean. ISBN 978-0-9837995-9-7. Cover art by Lara Jost. 164 pages. Order through Pay Pal:

 

https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=ZZ6GDLC6CESXE

Order through publisher's website: www.mammothpublications.com
Order through Amazon or Barnes & Noble
Get it at the Raven Bookstore in Lawrence soon!

10 Poets among Kansas City Star top 100 books of 2012

Poets selected for the KC Star top 100 books include Julianne Buchsbaum, Heid Erdrich, Jack Gilbert, Lucille Clifton, Albert Goldbarth, Hadara Bar-Nadav, Natasha Trethewey, and Mary Jo Bang (translation of Dante's Inferno). Poets with nonfiction books that are in the list are Kevin Young (The Grey Album) and Gerald Stern (Stealing History).

I was honored to be one of 17 curators for this "best-of" list, edited by Steve Paul of the KC Star. You will see the KC-area and national perspectives represented in fiction, non-fiction, mystery, poetry, and young readers. See more details:

http://www.kansascity.com/2012/11/29/v-print/3940050/the-stars-top-100-books-of-2012.html

Painting & Poetry Salon Nov. 17, Sat. and "Flint Hills Lullaby" by Denise Low

"Flint Hills 1" by Thomas Pecore Weso

Here is a sample poem and painting for the Runaway Pony event and chapbook. Do join us at 603 Tenn., Runaway Pony B&B. 

FLINT HILLS LULLABY
     “A landscape has its own spirit; it is neither dead nor alive.”                                                                                         Thomas Weso

 My grandparents still live here.

They exist in grasses confused by western trade winds.

Even before they died they were ghosts.

Their lungs whooshed air of winter and summer storms.

The land is neither dead nor living but something

else. A third property. More.

White strata collapse into ruins at their moments of creation.

Processions of thunderheads tumble through empty counties.

I am alone here and I am caught in lay lines of gravity.

This is my birth and death, my continuum beyond names.

When space colors this place, that dark-moon hue of void,

may all our bones lie together, at rest in the dark.

Book Launch of Runaway Pony, poets respond to paintings by Tom Weso, 7 p.m. Sat. Nov. 17, 603 Tenn. St., Lawrence, KS

RUNAWAY PONY: An Anthology of Verse after Paintings by Thomas Pecore Weso is a collection of “ekphrastic poetry,” poems written about specific artworks. The collection commemorates an opening and reading at the Runaway Pony Bed and Breakfast, November, 2012. The vivid, acrylic and black-light paintings of Weso inspire diverse, award-winning authors, including:  

Diane Glancy, Julianne Buchsbaum, Caryn Mirriam-Goldberg, Xánath Caraza, Silvia Kofler, Denise Low, DaMaris B. Hill, Allison Serina Hearn, James Benger, and Kevin Cummings.

Critic Mick Braa writes of Thomas Pecore Weso’s paintings: “He paints mostly bright, high-contrast colors to records what he has discovered, borrowing styles and figures from varied Indian art traditions to symbolize what he sees senses, and learns. Forms can switch back and forth between foreground and background, perhaps illustrating our constantly changing sensations of place, spirit and things in between.”  (Lawrence Magazine 2012)
AVAILABLE FOR PURCHASE $5 plus shipping
mammothpubs@gmail.com

Government Funding for Poetry: The Latest on the National Endowment for the Arts Budget

With new constellation of fiscal issues in DC, the future of funding for the arts, including poetry, is serious. One of the most effective advocacy groups is Americans for the Arts Action Fund, which has a useful website full of facts about economic as well as personal benefits of the arts.http://www.artsactionfund.org/   One of the most active spokespersons for the arts is David Fenza, executive director of the Associated Writers and Writing Programs and poet (recent work in American Poetry Review). He sent out this commentary about the election aftermath:

 “What's mainly changed in arts advocacy is that the House has a few more rookies, and more rookies who are smaller-government zealots. The NEA and Americans for the Arts have never done a better job in quantifying the economic and educational benefits of the arts. But these many studies hold no sway over the advocates of smaller government in the House. The Senate, however, will continue to serve as the saucer into which we may pour the fulminations of the House to cool, to echo George Washington.

 "The automatic "sequester" budget cuts remains the biggest threat to the NEA, and the possibility of Congress triggering another recession is probably the biggest immediate general threat to arts organizations, to arts education, and to AWP. Tax reform may also diminish the incentives for charitable giving to arts organizations, but Congress seems incapable of addressing tax reform expeditiously.

 "The sequester, the federal budget, tax reform, and the federal debt ceiling all require immediate attention. Just one of these issues, in the past, has been enough to inspire Congress to enact a spectacle rather than a compromise. Unfortunately, rough handling of the sequester, debt ceiling, or tax reform could trigger a recession. Probably, Congress will pass legislation to defer the sequester and then pass a continuing resolution to fund government at last year's levels--rather than make a new budget--while they renew some or most of the Bush tax cuts for a limited duration in a stop-gap half-measure. For Congress, it's always best to postpone till next year whatever requires compromise this year.”

Thanks to Fenza for permission to reprint his lucid summary. For more information, see

http://www.artsactionfund.org/  

Review of Hadara Bar-Nadav's new book THE FRAME CALLED RUIN

Hadara Bar-Nadav, director of creative writing at University of Missouri-Kansas City, is on a roll with this book, her first one A Glass of Milk to Kiss Goodnight (Margie Book Prize), and the next book, Lullaby (with Exit Sign), winner of the 2012 Saturnalia Books Poetry Prize for 2012. Recently she read at the Raven Bookstore Big Tent reading, Oct. 25, and I heard her voice in person--energizing the verse. She mentioned her poodle, which I was not able to work into the review, although I wanted to--indeed a poodle is a sub-motif. My review of The Frame Called Ruin, "Rewriting the Rules of Poetry," looks at poetic structures as formulae, perhaps a stretch (see what you think?), but it gave me an entry point into the work:
"Mathematicians posit infinite dimensional spaces that can be plotted with numbers. In her second full collection of poetry, The Frame Called Ruin, Hadara Bar-Nadav explores word-based worlds beyond the read of traditional verse." For the entire review, go to: http://www.kansascity.com/2012/11/09/3907123/rewriting-the-rules-of-poetry.html

Walt Whitman's "Election Day, November, 1884"

Election Day, November, 1884
by Walt Whitman

If I should need to name, O Western World, your powerfulest scene and show,
'Twould not be you, Niagara—nor you, ye limitless prairies—nor your huge rifts of canyons, Colorado,
Nor you, Yosemite--nor Yellowstone, with all its spasmic geyser-loops ascending to the skies,

     appearing and disappearing,

Nor Oregon's white cones--nor Huron's belt of mighty lakes—nor Mississippi's stream:
This seething hemisphere's humanity, as now, I'd name—

     the still small voice vibrating—America's choosing day,

(The heart of it not in the chosen—the act itself the main, the quadrennial choosing,)
The stretch of North and South arous’d-sea-board and inland-Texas to Maine—

     the Prairie States—Vermont, Virginia, California,
The final ballot-shower from East to West—the paradox and conflict,
The countless snow-flakes falling—(a swordless conflict,
Yet more than all Rome’s wars of old, or modern Napoleon’s:) the peaceful choice of all,
Or good or ill humanity—welcoming the darker odds, the dross:
—Foams and ferments the wine? it serves to purify—while the heart pants, life glows:
These stormy gusts and winds waft precious ships,
Swell’d Washington’s, Jefferson’s, Lincoln’s sails.