Nebraska Poet Greg Kosmicki Explains the Chapbook

 

Stephen F. Austin State University Press has published Greg Kosmicki's newest book of poetry, Sheep Can Recognize Individual Faces. Laura Madeline Wiseman interviews him for her blog, "The Chapbook Interview: Greg Kosmicki on Death, Work, and the Writing Life" (March 18, 2015). In this interview, Kosmicki gives a nifty explanation of a chapbook's advantages: "Because chapbooks are shorter, they force you to leave out the poem about your parents growing old and the one about when Old Shep your dog died if the rest of your chapbook is about all the time you spent in the army smoking dope and lobbing grenades or whatever. A chapbook is more like a short story—you have to have a unified action and everything has to relate to the same theme, all lead to the ending climax, just because it’s short, and you don’t have the space to goof around."

 

This veteran poet is retiring from The Backwaters Press, one of the leading presses in the Mid-Plains region. He will read for The Big Tent series in Lawrence (Raven Bookstore, 7 pm) Oct. 22, 2015. See more of this excellent interview at this link:

the chapbook interview: Greg Kosmicki on death, work, and the writing life

Another interview is at: http://geosireads.wordpress.com/2014/10/20/interview-with-american-poet-greg-kosmicki/

Denise Low's NATURAL THEOLOGIES, Essays about the Middle West: Explorations of Literature and Place, Ecocriticism, and Creative Writing

PADDLEFISH #7 (2013)  has a great review of my book Natural Theologies: Essays about Literature of the New Middle West. I am so pleased to see his attention to some of the too often undervalued authors I critique: Heid Erdrich, Louise Erdrich, Ted Kooser, Diane Glancy, Linda Hasselstrom, Adrian C. Louis, and Joseph Marshall III, to name a few.

David N. Cremean, author of Cormac McCarthy: Critical Insights and professor at Black Hills State University, writes:

“Natural Theologies ultimately not only provides valuable criticism, but also teaches about writing itself. It could (and should) be used in classrooms exploring literature, literature and place, ecocriticism, and perhaps above all creative writing: both relative to exploring writings, poetry in particular, and to insights how to go about that writing itself. In such ways, and many others, this volume goes a long way in showing how ‘literary works propose solutions to both the surface and the entire field of philosophical inquiry.’”

Other contributors to this issue are David Lee, Adrian C. Louis, William Trowbridge, Charles Bowden, Tom Gannon, and Kevin Zepper. For more the full review and information about subscription ($12) and the William Kloefkorn Poetry Prize ($12 includes a subscription), see www.mtmc.edu/paddlefish.edu or write directly to Jim Reese, Mount Marty College, 1105 West 8^th St., Yankton, SD 57078. Cover photograph by Rich Lofthus. My continuing gratitude to Greg Kosmicki of The Backwaters Press (www.thebackwaterspress ) in Omaha for taking the risk and investing the capital to publish Natural Theologies!

"BIG THING" Blog Entry for Denise Low Is Literary Essays Book

MariJo Moore invited me to join a blog chain 2013 & THE NEXT BIG THING - a series of interviews with authors about what they’ve been working on. I understand it has been going since October! Here is the link to her blog: http://marijomoore.blogspot.com/   Here is my own latest book, not yet a year old: Natural Theologies: Essays about Literature of the New Middle West (ISBN 978-1-935218-22-7. 185 pages, $20.00)  http://www.thebackwaterspress.org/our-authors/denise-low/    I hope to promote it in 2013.

What is the one-sentence synopsis of your book?

Middle West and Great Plains writers continue a “frontier” legacy with topics of nature, weather, the relationships among Native and European settler writers, urban-rural dialectic, and community life.
What genre does your book fall under?
Non-Fiction, critical essays.
What other books would you compare this story to within your genre?
This is like some studies of ethnic literatures, but this is the first book that considers literature of this region.
Who is the publisher?
The Backwaters Press in Omaha, published by Greg Kozmicki. He has done so much as an independent literary publisher.  He is an unsung hero, and a fine poet himself. Working with Kozmicki and his copy editor were a gorocess.
Who or what inspired you to write this book?
I realized other regions of the country celebrate their literature, but in the plains and prairies, writers do not have the same recognition.
What else about your book might pique the reader's interest?
I have been grateful for some wonderful reviews from the Kansas City Star, the Manhattan Mercury, and others. A reviewer for  American Indian Library wrote: “This is the first book of critical essays about contemporary Midwestern writers. Denise Low, of Delaware and Cherokee heritage, foregrounds Native writers, including Louise Erdrich, Heid Erdrich, Diane Glancy, Joseph Marshall III, and Adrian C. Louis. The four sections of Natural Theologies are about history, settlements in the Plains, Midwestern people and their character, and nature. The author considers not only the legacy of “frontier,” but also the enduring narratives of settler/Native interactions.”
Where did the idea come from for the book?
As a young writer, I learned that writing is a dialogue with books. I began reviewing books after my M.A. in literature as a way to expand my writing practice. This book includes expanded essays on books that have influenced me.
Which actors would you choose to play your characters in a movie rendition?
I really don’t think this book will be made into a movie, but I really think N. Scott Momaday is very cinematic. I’d like to see a movie about his writings. He has influenced many Native and Southwest/plains writers, especially because of his insistence that the oral tradition as a valid literary genre.
How long did it take you to write the first draft of your manuscript?
I had some ideas and a few drafts, but I spent one summer drafting this, working intensively every day, and then another year editing it.
And to keep 2013 THE NEXT BIG THING going, here is another wonderful writer, Lisa Hase,  and her next big thing: http://zingarapoet.net/author/zingarapoet/ 

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Ted Kooser Admonishes Against Anecdotes in Road Trip

Road Trip: Conversations with Writers, edited by Shelly Clark and Marjorie Salser, is a an collection of interviews with distinguished Nebraska writers, including Ted Kooser. The book is worth reading for insights into writing well. Especially, this comment by Ted Kooser sticks with me:

One of the things that troubles me concerns anecdotes. We have always had anecdotes as part of our social intercourse, and it seems to me that the only refuge for the anecdote in literature has come to be the poem. I mean, you can use anecdotes in fiction but they are just an incremental part of it. The only place that an anecdote is legitimate is as a poem today, and as a result we have tens of thousands of poems that are merely anecdotes.

 I go to probably 50 poetry readings a year, and I can attest to the fact that many poems are simply personal stories—about scraping ice in winter, watching birds, overhearing conversations, road trip sights, confrontation with the neighbor’s dog or cat—that do not go beyond the moment with heightened language or other tugs on the strings of poetry’s lyre. Kooser goes on: “Simply to take an anecdote of how you helped your mother wash the car and to cut it up in lines and put it on a page is not enough for anybody” (229). Kooser articulates for me the new kind of poetry cliché. The poem's topic itself becomes a cliche, just a like a commonly used phrase--"Flatter than a pancake." This kind of poem begins implicitly, “Isn’t it interesting how I noticed __________?” This can be ended with a clincher, like a joke. Like a joke, it does not translate well to the page. Try reading a joke book, and then watch John Stewart suppress giggles as he delivers a line. Performance adds the sparkle to the words. A good lyric poem is rich and can be read and reread, with new light reflecting when seen from different angles (of time).

 I appreciate Kooser’s comments on two-dimensional storytelling. I apologize to the world for all the poems of this ilk I have written myself (about scraping ice in winter, birds, cats, etc.). I pledge to do better.

 I highly recommend this terrific book of good sense and wit, Road Trip, available online and through indie The Backwaters Press, publisher Greg Kosmicki (www.thebackwaterspress.org ). Other authors in the book are: Jonis Agee, William Kloefkorn, Don Welch, Hilda Raz, Charles Fort, Barbara Schmitz, Ron Block, Eamonn Wall, Twyla Hansen, J.V. Brummels, and Brent Spencer. Each interview includes a picture of the author and representative selections from their work.

Nov. 2011 National Book Critics Circle blog Critical Mass mentions Natural Theologies along with other NBCC member news

NBCC notes publication of my new book of personal critical essays about contemporary grasslands writers: "Former Kansas poet laureate Denise Low has published a collection of her review-articles and other prose, Natural Theologies: Essays about Literature of the New Middle West from The Backwaters Press. . . ." and more on the NBCC blogmember news summary.The link to The Backwaters Press is http://www.thebackwaterspress.org/new-releases/. Thanks to editor/publisher Greg Kosmicki! He's great to work with. Paul Hotvedt did the cover art--an amazing artist collected by museums & universities for teaching techniques--  http://paulhotvedt.com/. More on my writing is at www.deniselow.com

Natural Theologies: Essays about Literature of the New Middle West, is the first critical study of contemporary Mid-Plains literature. Denise Low, former Kansas poet laureate, shows how the region’s writers inherit a Frontier legacy from Indigenous and American settler communities. Myths continue to provide framework for fiction writers and poets, as well as nature and the rich community life. Not all of the region is rural. Cities like Minneapolis, Omaha, and Kansas City, have presence in the literature—but in context of the great acreage around them.  This innovative book defines the region’s character while at the same time illuminating a panoramic past. Indigenous peoples and their philosophies add to this unique look at the Mid-continent’s literary culture. Writers whose work comes to Low’s attention include: William Stafford, Louise Erdrich, Langston Hughes, Ted Kooser, Robert Day, David Ray, Heid Erdrich, Jo McDougall, William Kloefkorn, Adrian C. Louis, Joseph Marshall III, Thomas Fox Averill, Linda Hasselstrom, Diane Glancy, and other Mid-Plains writers .