Denise Low Reviews Maryfrances Wagner's THE IMMIGRANTS' NEW CAMERA

Maryfrances Wagner’s collection The Immigrants’ New Camera: A Family Collection has a

glossary of Italian words in the back, a useful addition as she writes her family’s immigrant experiences and afterlife in Kansas City neighborhoods. The poet tells wonderful stories in this book, compressed into poems and amplified with poetic intensities. Always the phrases give both narrative and mood, as in this poem about her aunt:

I Bring Aunt Mary a Christmas Tree

Oh, what a good Italian woman you are.

You’ve baked biscotti and iced them nice,

pink and green just like I love. And they

taste just like your Aunt Rosie’s. I wear

that lap quilt you made me to dinner.

I’m afraid someone might take it, though.

I can’t believe all of the stuff you bring.

I loved the pizza and the pizzelle,

but I don’t have anywhere to put

those family pictures. You can take those

home. I don’t recognize some of them.

What’s that behind your back? A little tree?

You call that a Christmas tree?

It’s nice that you put blinky lights on it

and decorated it with reindeer and candy canes,

but it’s not more than a foot tall! Troppo piccolo.

Uncle Johnny brought home big trees.

Sometimes we had to cut the tops off.

I used to put tinsel and ornaments on the tree.

They were big and beautiful. Ask Jimmy.

This hotel is too small. I’ll be glad when we

go home. These pigra maids take forever when I ring.

Uffa! What’s that? A crystal star? Too many lights.

Shut that thing off before I quit breathing, and don’t

hang that mistletoe in the doorway. I don’t want

some old coot in a wheelchair grabbing me

on the way to dinner. We’ve got enough

Wagner’s use of dramatic monologue works well here, deftly wrought so the narrator’s presence is just a whisper in the background. The forte voice of the aunt carries the poem, as she voices her judgements. Along the way, details of life in a nursing home create another thread in this dense poem. Wagner balances lyric with narrative perfectly.

                No poem in this collection is simple. The stories may appear to be about making wine in the garage or school memories. The overlays of language, however, as well as the implied emotions complicate any topic.

One of my favorite poems is one where Wagner describes miscellanea left in her father’s drawers after his death. The catalogue elaborates more about grief and character than the objects. The poem “My Father’s Nightstand” begins:

I empty the dead drawers

and sort what my father kept close:

Chapstick, shoestring, book of stamps.

Flashlight, two keys, Allen wrench.

The orphaned keys, the wrench, and the flashlight all suggest mortality, the final law.

                Wagner collections family stories from all her previous collections in this new book. They interact with each other, so repeated characters, like Zia Rosie and Nonno, develop into full-fleshed companions. Most of the people in the book are dead, so there is an eerie quality of ghost stories also in this interesting and complex book.

History of Italians in the United States often overlooks the Midwest. This book helps to expand the cultural nuances of this region. The family members, however, are familiar archetypal characters that all can relate to. This book is enjoyable on the page, and Wagner will present readings of it in the Kansas City area, not to be missed.

Dec 6, book release party at Westport Coffeehouse, KC, 41010 Pennsylvania St., KC, MO, 7 pm. At 8:00 will be a short reading, and Robert Stewart, Jenny Molberg, and Cameron Morse will be present. Enter through the Green Room or come downstairs through the coffeehouse. If you can't stay the whole time, at least drop by.

The Immigrants’ New Camera: A Family Collection by Maryfrances Wagner, 174 pp., Spartan Press, 2018, $15.00. https://www.barnesandnoble.com/w/the-immigrants-new-camera-maryfrances-wagner/1129786690?ean=9781946642707

DENNIS ETZEL publishes new book THIS REMOVED UTOPIA

Dennis Etzel is one of the most exuberant poets I know. His readings are enhanced by his genuine love of

 words/poetry/just causes/people. His partnership with wife Carrie as they raise 5 young sons is admirable. His awareness as a man raised by two lesbian mothers carries over into his life and his writings. He is an admirable human being, which is one aspect of him; he is also an admirable poet. Yes, he is a friend, so qualify my review in those terms.

His new book from Spartan Press is This Removed Utopia: Poems.  Yes, that is John Brown on the cover, the odd iconic activist saint of Kansas, from the state capitol building's murals by John Stuart Curry. This panel is entitled Tragic Prelude, apt for the book. Etzel has a fluid, unpretentious style that moves, engages the reader, and ess-turns into unexpected alleyways and cupolas. Domestic moments transform into regional awareness into history into rage against corporate machines. The book has six poems, including the long poem “A Short History of Topeka,” which includes this section, and the “Sam” is governor and former senator Sam Brownback:

Even Topeka has the pleasure of lawn and trees

outside of the mall’s obvious entrances, a carefree

winking after paid-off early retirements

help corporations in they syrupy blurs. Accept

that speed walking which hammers gerunds

into our language, promising the assertive

round of elegies. How does the need to claim

on your right feel to Kansas politics, the words

you use, your cushioned lips, those kisses

you tell? Do I need to mention Sam

in the midst of this ruin built decades ago?

Let the sun come through the dome window,

Let the doves of love fly above that window,

let the window resign to the floor, let hammers

be heard, unseen for comfort to our particles.

For a signed copy of This Removed Utopia, please use this link. Shipping and taxes included.

​Dennis Etzel Jr. lives with Carrie and the boys in Topeka, Kansas where he teaches English at Washburn University. He has an MFA from The University of Kansas, and an MA and Graduate Certificate in Women and Gender Studies from Kansas State University. My Secret Wars of 1984 (BlazeVOX 2015) was selected by The Kansas City Star as a Best Poetry Book of 2015. Fast-Food Sonnets (Coal City Review Press 2016) is a 2017 Kansas Notables Book selected by the State of Kansas Library.  This Removed Utopia (Spartan Press 2017) was published as part of the Kaw Valley Poetry Series. My Grunge of 1991 is forthcoming (BlazeVOX 2017). He has two chapbooks, The Sum of Two Mothers (ELJ Publications 2013) and My Graphic Novel (Kattywompus Press 2015). His work has appeared in Denver Quarterly, Indiana Review, BlazeVOX, Fact-Simile, 1913: a journal of poetic forms, 3:AM, Tarpaulin Sky, DIAGRAM, and others. He is a TALK Scholar for the Kansas Humanities Council and leads poetry workshops in various Kansas spaces. Please feel free to connect with him at dennisetzeljr.com.

Photo of Dennis Etzel at the Raven Bookstore by Denise Low

Denise Low reviews Natasha Ria El-Scarri for the KC Star

Here is the beginning of my 10/18/2015 Kansas City Star review of Natasha Ria El-Scari's book, 9th in the 2015 series by Spartan Press:
 
"Screaming Times: Poems by Natasha Ria El-Scari is the newest book in the monthly POP Poetry book series. Its verse illustrates the vibrancy of this community project. The POP Poetry series, sponsored by Prospero’s Books on West 39th Street, highlights one poet each month by holding debut readings at the store and supporting Spartan Press, which publishes the collections. Jason Ryberg, an editor at Spartan Press, says, “Kansas City is known for its music and art scenes. We bring attention to the writing scene.” Other editors are Will Leathem, who co-owns Prospero’s Books, and Stephanie Powers. El-Scari, a native of Kansas City, uses a consistent, strong voice throughout the poems in “Screaming Times.” Poems lift off the page, almost reading themselves. Unlike some performance poetry, her words translate well to the printed page. . . ."  See more at the KC Star website until 11/5/2015.
 Natasha Ria El-Scari is a writer, Cave Canem fellow, and educator for over a decade. Her poetry, academic papers, and personal essays have been published in anthologies, literary and online journals.  She has opened for and introduced many great writers, singers and activists, and has been featured at a host of universities and venues nationwide. Born and raised in Kansas City, Missouri, Natasha has a BA from Jackson State University and a MA from the University of Missouri-Kansas City. Natasha’s Black Feminist approach is reflected in her writing, poetry and performance pieces. Natasha brings the fire! She is a divorced mother of two awesome children. Once asked in an interview what makes her unique she replied, “…most people lie to themselves, but I like to reveal myself.”

Read more here: http://www.kansascity.com/entertainment/books/article39302358.html#storylink=cpy